Picturing the Book of Nature: Image, Text, and Argument in Sixteenth-Century Human Anatomy and Medical Botany Sachiko Kusukawa

ISBN: 9780226465289

Published:

Unknown Binding

350 pages


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Picturing the Book of Nature: Image, Text, and Argument in Sixteenth-Century Human Anatomy and Medical Botany  by  Sachiko Kusukawa

Picturing the Book of Nature: Image, Text, and Argument in Sixteenth-Century Human Anatomy and Medical Botany by Sachiko Kusukawa
| Unknown Binding | PDF, EPUB, FB2, DjVu, AUDIO, mp3, ZIP | 350 pages | ISBN: 9780226465289 | 4.43 Mb

Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart FuchsOCOs De historia stirpium and Andreas VesaliusOCOs De humani corporis fabrica are landmark publications in the history of the printed book. But asMoreBecause of their spectacular, naturalistic pictures of plants and the human body, Leonhart FuchsOCOs De historia stirpium and Andreas VesaliusOCOs De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine.

Sachiko Kusukawa examines these texts, as well as Conrad GessnerOCOs unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this periodOCoa visual argument for the scientific study of nature.aTo set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thoughtOCoand often disagreementOCoabout exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode.

Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientistsOCO treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.



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